X trans ii eterna I set Highlight to +4, Shadow to +3, Color to -4, and set a shift of -2 Red and -3 Blue to the Auto The Vintage Eterna Film Simulation Recipe is actually three Recipes: one for the X-H1, X-T3, and X-T30, another for the other X-Trans IV models (X-Pro3 and newer), and one for X-Trans V cameras. , and Reala Ace—all of which are the largest distinctions between the old and new versions. Please note that when using the Reala Ace film recipe, the tonality may appear slightly muted due to the Highlight & Shadow adjusted to -0. Some of these Recipes do routinely crack the Top 25 list, but most of them do not. I’ve had a Portra 160 recipe on this website for awhile, but I’ve never created a Portra 400 recipe for Unless Fujifilm gives X-Trans IV cameras the Nostalgic Neg. The sensor isn’t surprising to me, because the extra resolution will help improve the Digital-Teleconverter, which is a nice X-Trans CMOS 4 sensor. I’m not sure which one is most “correct” (because color is more subjective than time). Apparently Fujifilm will include a brand new film simulation with the X-H1 called Eterna. This one is for X-Trans IV cameras, specifically the Fujifilm X-Pro3, X100V, X-T4, X-S10, There’s a lot of latitude with this recipe. Rp8. While Fujifilm invented and intended the Eterna film simulation for video use, which it is quite good for, they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX cameras and the X-H1 The TCL-X100 II is a little larger and heavier: 1. Justin Gould instagram. The third iteration in the series, the X30 was already a bit dated when it was released in 2014. My aim is two-fold, to create my own Eterna, X-S10, 23mm f2 Photo - Camera JPG Share Add a Comment. Eterna is the name of Fujifilm's I’ve been wanting to create a Kodak Portra 400 film simulation recipe for Fujifilm X-Trans II cameras for a long time now. Oleanders with Eterna on X-E4 27mm FWIW i think slightly too much grain i have reduced the grain since. recipes. Luca Peratella. It’s fun to play around with. It occurred to me that those with “older” cameras, like X-Trans III and the X-T30 and X-T3, are missing out, so I wanted to do something about it. I fell in love with the look of the images. Welcome to the Fuji Film Simulations resource centre (X-Trans III Section), where I share with you my film simulation recipes for Fujifilm X-T cameras. 8″ (diameter), and weighs 0. While a successor would need I’m still fine-tuning it, but I believe that, using Eterna, reducing Highlight by -1, increasing Shadow by +1. On the other hand I like the colors of X-Trans 3 (or newer) for night photography. It’s impossible to make an exact match, but this one is surprisingly pretty close. I received an email earlier this week from Anders Lindborg with an interesting discovery he made. While I didn’t get a chance to use one myself, I did get to see the amazing images that other Because it uses the Eterna Bleach Bypass film simulation, it is only compatible with those X-Trans IV cameras that have it, which are the Fujifilm X-T4, X-S10, X-E4, and X-T30 II. 2″ (diameter), and weighs 0. I have also received several requests to invent a film simulation recipe that produces similar results without using Eterna, for those who have X-Trans III cameras and don’t have access to that film simulation. Likewise if you are serious about video, you may find F-Log, the ETERNA film simulation mode and 4:2:2 10-bit colour depth via HDMI quite appealing. Classic Chrome is the most-used film sim by a large margin, followed distantly by Classic Negative and Acros, but currently there’s a lot of interest in the new option. These recipes require JPEG settings that don’t exist on the “older” cameras, including the Classic Negative or I wanted to create a retro feeling Eterna based recipe and an X-Trans IV based Leica M10 monochrom recipe, and at last I am happy with the results. Top 10 Most Popular Eterna Film Simulation Recipes of 2024; Archives. and Fujifilm X-T30 II. For those who don’t know, this is a quarter-million-dollar broadcast lens, used for sporting events. This is Part 2, and covers X-Trans IV models (except the X-T3 and X-T30, which will be discussed in Part 3): Fujifilm X The next GFX experience came earlier this year when Fujifilm invited me to a retreat in the Catskill Mountains of New York. I’ve attempted to help out with this dilemma “Expired Eterna” for X-Trans III: Right now Eterna can only be found on the X-T3, X-T30, X-H1 and the GFX line. For X-Trans 4 i think Auto WB Ambient Priority is better. "Eterna" recipe for X-Trans II sensors: - PRO Neg. 000. When I was at Fujifilm’s Create With Us event in Austin back in September, they had a Fujinon Duvo HZK 25-1000mm f/2. Film Simulation: Eterna Dynamic Range: DR100 Grain Effect: Strong, Large Color Chrome Effect: Off X100, X10, and X-S1 cameras. Full HD 240p High Speed Footage. There are, however, Recipes specifically for the X-T1: This list is for X-Trans IV cameras (except for the X-T3 & X-T30), which include the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II. com, Fujifilm is releasing a new camera next year called X-H1. Dynamic Range: DR200. It’s best for sunny daylight, but can work surprisingly well in some other light situations. X-Trans IV has some cool features, but X-Trans III is essentially the same. The film simulation recipes used on the X-T30 were Velvia, Kodachrome 64, Analog This 1960 Chrome Film Simulation Recipe is compatible with all fifth-generation X-Trans cameras, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, and X-T50, as well as “newer” X-Trans IV models—specifically, the X-T4, X-S10, X-E4, and X-T30 II. It's received a lot of positive feedback and I remain quite proud of it. There’s also only one PRO Neg. The first with the X-Trans sensor was the X-Pro1, which came out in 2012. Std — Classic Negative — Nostalgic Neg. Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options that the X-T30 has. The first X-series camera was the X100, but it had an EXR sensor, and not X-Trans. Adjust shift accordingly. I frequently get asked: which seven Film Simulation Recipes should I program into my camera first? I’ve published over 300 on this website and in the Fuji X Weekly App, and the choices can become overwhelming. I feel like it'll make for great "golden Like other more modern sensors, the X-Trans 3 lost some of that magic color the older sensors had. Thanks to Fujirumors, we know just a little about the camera, including that it will have the 40mp X-Trans V sensor and In-Body-Image-Stabilization (IBIS). That recipe has remained quite popular. I do think it is interesting that Fujifilm tweaked I started with B&W, followed that up with Fujicolor, then Eterna Recipes; X-Trans III was next; This Recipe is compatible with X-Trans V cameras, and is very new, published in late October. Basierend auf ETERNA, dem legendären Film für Kinoproduktionen, arbeitet diese Filmsimulation mit reduzierter Sättigung, sodass einzelne Origins: List of the persons who have released recipes, sorted by by first name: * "Site or Profile": Name of the site or profile of the person. Reactions These Film Simulation Recipes are for Fujifilm X-Trans V sensor cameras, which currently are the X-H2, X-H2S, X-T5, X-S20 and X100VI. As I like Eterna more for the cinematic look, on X-Trans IV processor In der X-T30 II kommt der X-Trans CMOS 4-Sensor zusammen mit dem X-Prozessor 4 zum Einsatz, einem leistungsstarken Vier-Kern-Prozessor, der die Bilddaten blitzschnell verarbeitet. The only other cameras that have Eterna are the X-H1 and the X-T3. It seems especially well suited for high contrast scenes, although it can still be used in mid and low contrast scenes. Kodak T-Max 100 Soft Since Recipes are (for the most part) generationally specific, each article will cover a different group of cameras. The X-Pro3 and newer cameras (X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II + X-Trans V) can save the You should check out the Cira 800 Film recipe for the X-Trans IV Fujifilm camera. Magenta becomes a soft red, and red turns orange. Eterna Summer. It will be the first Fujifilm X camera made specifically for videographers. This collection of over 250 film simulation recipes for Fujifilm X-Trans IV and V cameras brings together settings in nostalgic and retro styles, aged and expired film looks, and 35mm film by Fujifilm or Kodak from decades past. film simulation, which I doubt they will do, this recipe is only for X-Trans V cameras, and maybe the latest GFX, too; however, Nostalgic Neg. * "URL" : link to the site or profile. The WCL-X100 II has 0. 39 pounds. X-T30 II records Whether you love Fujifilm's X-Trans mirrorless cameras, GFX medium format cameras, their other digital cameras and DSLRs, or Instax instant film cameras - this is the place for you! Members Online • The only simulation “missing,” for me, from the X-T2 is Eterna, which I use for video. Compatible with X-Trans IV (except the X-T3/X-T30) cameras; for X-Trans V, set Color Chrome FX Blue to Weak. 2 comments Nathalie Boucry · 14 Days Ago I am so looking forward to the show! I hope many of you can make it! X-S20 & GFX100S II; Top 10 Most Popular X-Trans III Film Simulation Recipes of 2024; Recent Comments. Unfortunately, if you don’t have one of those cameras you can’t use this recipe. I made this extra soft recipe particularly for use in golden hour and twilight. X-Trans IV; X-Trans III; X-Trans II; X These Film Simulation Recipes are compatible with all X-Trans III cameras—Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20 & X-H1—as well as the X-T3 and X-T30. C2 — Kodak Portra 160 — Midday . #7: Superia Xtra 400. Igor on Merry Christmas from Fuji X We There’s a lot of latitude with this recipe. 5, reducing Dynamic Range by one or maybe two spots, adjusting White Balance Shift by +2 Red and -1 (or maybe -2) Blue, increasing Color by +6 this obviously means that Color has to be a negative value (at least -2) on Nostalgic X-Trans sensor. By screwing one of the two conversion lenses—WCL-X100 II and TCL-X100 II—onto the end of the fixed-lens (where the filter adapter attaches), you essentially turn the X100VI (and the older X100 series models, too) into an interchangeable-lens camera. It looks nothing like straight-out-of-the-box Eterna, but it resembles pretty closely my Eterna recipe, which requires some big adjustments to A couple of days ago I published my Fujifilm X-T30 Eterna film simulation recipe, which I have received a lot of positive feedback for. An Arizona Autumn – Buckeye, AZ Engine 237 - Grand Canyon NP, AZ - Fujifilm X-T5 - Kodak Ektachrome E100VS v2 Recipe Provia — Astia — Classic Chrome — PRO Neg. LomoChrome Metropolis and Bleach Bypass are two that are commonly requested. Unless Fujifilm gives X-Trans IV cameras this film 25th Street – Ogden, UT – Fujifilm X-T30 – EternaEterna is beautiful. For the X-H1, you can use this recipe if you ignore Color Chrome Effect Fujifilm is on the cusp of announcing the X100V successor, which they’ve named X100VI. Because this film simulation recipe requires the new Auto White Priority white balance, it is only compatible with the X-T4, X-S10 and X-E4; however, for outdoor natural light photography, using Auto white balance will produce identical results, which means that you can use this Eterna v2 recipe with the X100V and X-Pro3! For indoor artificial light photography, All X-Trans V models, which (as of this writing) are the X-H2, X-H2s, X-T5, and X-S20, have Nostalgic Neg. 2 + Eterna (Cinematic Film) Fujifilm X-T50 + Fujinon 56mm f/1. This particular one uses Acros, which isn’t an option on the X-T1. You can use it on X-Trans I, X-Trans II, and Bayer models, too, but it will look slightly different (feel free to try, though)—at the bottom of this article is one picture Layers of Urban Construction - Phoenix, AZ - Fujifilm X-T5 - Kodak Vision3 250D v2 Recently, I published my adaptation of the Kodak Vision3 250D Film Simulation Recipe, which is for X-T3 and X-T30 cameras, for use on the "newer" X-Trans IV models, which are the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II. Rp340. You might remember that Anders is the creator of the Kodak Tri-X 400 film simulation recipe, as well as the Fujicolor Pro 160NS and Fujicolor Pro 400H recipes, which are actually much more than just recipes—they’re a new Take a look at Street Photography with a Fujifilm X-T30 & Eterna, which is the latest video from Fuji X Weekly!Last Sunday I shared with you the first video that Amanda and I worked on together, which featured footage and photographs captured using my Kodacolor film simulation recipe. Color with -2 and -1 works good for me, 0 was too much. One of my favorite film simulation recipes is Kodachrome 64. Eterna Dynamic Range: DR400 Highlight: +2 Shadow: +3 Color: +4 Noise Reduction: -4 Sharpening: -2 Grain Effect: Strong This “Eterna” film simulation recipe is my best facsimile of my X-T30 Eterna recipe. X-S20 & GFX100S II; Top 10 Most Popular X-Trans III Film Firmware Updates for Fujifilm X-T5, X-T50, X100VI, X-S20 & GFX100S II Top 10 Most Popular X-Trans III Film Simulation Recipes of 2024 Selling and Trading my Unwanted Gear X-Trans IV can be divided into two categories: X-T3 & X-T30, and X100V, X-Pro3, X-T4, X-S10, X-E4 & X-T30 II. I initially stated that the new film simulation is as if Classic Chrome and Eterna The WCL-X100 II is 1. The Classic Negative film simulation is expected to make its way to the X-T3 and X-T30 I chose “Expired Eterna” because of the white balance type—Auto—but if I wasn’t concerned about white balance type, I would choose Redscale, Cross Process Film, or Kodak Elite Chrome 200 Color Fade—any of them, they’re all fun. ETERNA. My personal speculation is that, since the Eterna film simulation is designed more for video than stills, only X-Trans III cameras capable of 4K will get it via a firmware update. Film Simulation: Eterna Bleach Bypass Dynamic Range: DR400 Luxury Among Palms - Laguna Hills, CA - Fujifilm X-T5 - Reala Ace Recipe Fujifilm introduced a new film simulation with the GFX100 II called Reala Ace. I’ve attempted to help out with this dilemma First, the luminosity curve isn’t identical, so highlights and shadows are rendered slightly different on X-Trans II. If you’re a Fujifilm photographer, please join our new community The film simulation recipes below are compatible with Fujifilm X-Trans I sensor cameras, which are the X-Pro1, X-E1 and X-M1. Because this film simulation recipe requires the new Auto White Priority white balance, it is only compatible with the X-T4, X-S10 and X-E4; however, for outdoor natural light photography, using Auto white balance will The Pushed CineStill 800T Recipe was intended for daytime photography, but is actually most well suited for nighttime situations. Film Simulation: Eterna. If you are using it on an APS-C X-Trans II camera, you can increase the maximum ISO to 3200. Eterna I love soft tones in photography and Eterna is a great simulation for exploring this style. But I appreciate very much the vintage, filmic look that it has. Interestingly, there are some already existing film simulation recipes that come close to Nostalgic Negative. I've been asked by a few people to create a "Cine Teal" recipe for X-Trans III cameras, which The Expired ECN-2 100T Film Simulation Recipe was a Fuji X Weekly App Patron Early-Access Recipe; however, it has been replaced by a different Early-Access Recipe, so now everyone can use it. Provia Dynamic Range: DR-Auto Highlight: +1 (Medium-High) Shadow: -2 (Low) Color: +2 (High) Sharpness: +1 (Medium-High) Noise Reduction Yesterday I published my Kodachrome 64 recipe for X-Trans II cameras, such as my Fujifilm X-T1, and today I will share with you my Kodacolor recipe for X-Trans II! Top 10 Most Popular Eterna Film Simulation Recipes I “loaded” this “film” into my Fujifilm X-T30, and exposed 36 frames. has a lot in common with Eterna. The X fujixweekly. isn’t too dissimilar The only X-Trans III camera with Eterna is the X-H1, so those X-Trans IV recipes that require the Eterna film simulation will work on that one camera only, and will not work on any other X-Trans III camera. It produces a warm and delicate tone in these conditions, but can be used Kodachrome Blue is for X-Trans IV cameras, specifically the Fujifilm X-T4, X-S10, X-E4, and X-T30 II; for use on X-Trans V, set Color Chrome FX Blue to Weak. Internally, the new camera has IBIS (which I haven’t had a chance to test yet since I only used it in bright daylight so far), the 40mp X-Trans V sensor and processor, and the latest JPEG options, including Eterna Bleach Bypass, Nostalgic Neg. This X-Trans II recipe was one of the original Patron “Early-Access” recipes on the Fuji X Weekly App. I lean towards Eterna, Aged Color, Kodachrome II, Kodak GT 800-5, and This is, by far, my favorite Eterna-based Recipe. This is a recipe that I’ve used often; I especially like it on overcast days. Kodak Vision3 250D is the only Recipe that uses Eterna, and Kodak Vision3 250D v2 is the only one that uses Nostalgic Neg. Eterna Bleach Bypass Dynamic Range: Auto Highlight: +1 Shadow: +2 Color: +3 Sharpening: 0 Noise Reduction: -4 Grain Effect: Strong Grain Size: Large Color Chrome Effect: Strong Color Chrome FX Blue: Strong I handed my Fujifilm X-T1 to my 11-year-old son, Jonathan—gave him a brief tutorial on how to use the camera, and let him have at it. If you have an X-T4, X-S10 and X-E4, you might really appreciate Fujifilm X-T50 + Fujinon 56mm f/1. That recipe was created for X-Trans III cameras, but newer models have more JPEG According to Fujirumors. Highly versatile, and is especially great for artificial light situations. Fujifilm X100VI + WCL-X100 II + Eterna Summer Recipe. He increased Dynamic Range to DR400, moved the White Balance Shift to +4 Red, and set X-Trans CMOS 4 sensor. Of course, you might like it anyway. All of the X-T3 & X-T30 You’ve likely seen movies and television shows captured on Eterna and didn’t even know it. The only X-Trans III camera with Eterna is the X-H1, so those X-Trans IV recipes that require the Eterna film simulation will work on that one camera only It has soft tonalities in the shadows like Eterna, and warm colors are similar to Eterna, but with contrast and an overall palette more similar to Classic Chrome. X-T30 II records Suburban Night - Farmington, UT - Fujifilm X100V I created my original CineStill 800T film simulation recipe about two-and-a-half years ago. 8x magnification, turning the 23mm lens into 18mm (28mm full-frame equivalent). Fujifilm says that it "combines faithful reproduction with hard tonality," showing it with a little higher vibrancy than Classic Negative paired with a tonality more similar to Provia. It requires the Eterna film simulation, plus some other settings only found on the newest Fujifilm models. The X-Pro2 was the first camera to have the 24-megapixel X-Trans III sensor. It looks nothing like straight-out-of-the-box Eterna, but These film simulation recipes are for Fujifilm X-Trans IV sensor cameras. an ok compromise. Will be fun to see where I use this. These recipes should also be compatible with the GFX100S and GFX50S II, but will likely render slightly different. As a reminder, Clarity causes the camera to pause for a moment after each shot; alternatively, try using a mild diffusion filter, like 1/8 Black Pro Mist or 5% CineBloom, for a similar effect. Classic Chrome, Classic Negative, Eterna, and Eterna Bleach Bypass render blue more deeply than on X-Trans IV models. We have five watches now the X-Trans I, II, III, IV, and now V. It’s a rare exception to the norm. website; blog; video; development; gear; app; help us! Share with our community your personal recipes and become part of the journey! submit. Not everyone, probably not most Fujifilm X shooters, have the latest models, so You’ve likely seen movies and television shows captured on Eterna and didn’t even know it. Harga kabel serabut eterna nymhyo 2 x 0 75 per rol. This one is for X-Trans IV cameras, specifically the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II. Hi Ritchie, Last year, while I was experimenting with various, 35 film stocks (Ektachrome, Portra, etc. The X-S20’s exclusion is a bit controversial because it has an X-Trans IV sensor paired with the X-Trans V processor, but since it seems to render more similar to X-Trans V than X-Trans IV, and has the The XQ1 has a small X-Trans II sensor inside, which means this recipe is fully compatible with all X-Trans II cameras. , as well as a couple of GFX cameras (GFX100S and GFX50S II). I’m sure it can be used on newer GFX models, too, but will likely render slightly different (try it anyway, though). While Fujifilm invented and intended the Eterna film simulation for video use, which it is quite good for, they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX cameras and the X-H1. The 26. Both of these lenses are “Expired Eterna” for X-Trans III: I’m immensely enjoying the X-T30, but honestly, it’s 97% the same camera as the X-T20. Velvia Dynamic Range: DR200 there 0. I initially created this on my Fujifilm X-E4 , but then I wanted a version for my X-H1, so I made a recipe compatible with that camera, and also used Part 1 — X-Trans V, Part 2 — X-Trans IV, Part 3 — X-T3/X-T30, Part 4 — X-Trans III, Part 6 — X-Trans I. Fujifilm just announced that they are creating a GFX Eterna cinema camera to be released sometime in 2025. Although these were designed using an X-Trans III sensor, they will work with all versions of X-Trans sensors with little or no tweaking. If you happen to find a Recipe that’s technically compatible, you’ll find that it will render differently. It replaced the X-Pro1, which was the very first X-Trans sensor camera by Fujifilm. When I was at Fujifilm's Create With Us event in Austin back in September, they had a Fujinon Duvo HZK 25-1000mm f/2. Eterna Dynamic Range: DR400 Highlight: +2 Shadow: +3 Color: +4 Noise Reduction: -4 Sharpening: -2 Grain Effect: Strong Bayer, X-Trans I & II Those with Fujifilm X-Trans III sensor cameras, which include the X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1, might be unaware which film simulation recipes to use. Vintage Eterna for Fujifilm X-Trans IV. 8″ (long) x 2. It’s possible that this recipe is also compatible with the GFX100S and GFX 50S II, but I’ve never tested it to be certain. Reply to GrantWilli. Capture One does not provide the possibility to change film simulations on models equipped with the X-trans I and X-Trans II sensor. Enjoy. December 2024; November 2024; October 2024; September 2024; August 2024; July 2024; June 2024; May 2024; April 2024 Cold Morning Light - Buckeye, AZ - Fujifilm X100V - "Timeless Negative" I purchased the Fujifilm X-T5 specifically to try the Nostalgic Neg. 33 pounds, which isn’t terrible. Eterna Dynamic Range: DR400 Highlight: +4 Shadow: -2 Color: -2 Noise Reduction: -4 Fujifilm cameras with the X-Trans IV sensor can use the custom recipes such as the X-T4, X-S10, X-E4, X-100V, X-T30 II, X-Pro3. Feel free to change any setting, especially sharpness and nr. X-Trans IV; X-Trans III; X-Trans II; X-Trans I; Bayer; GFX; cool stuff. It occurred to me that those with "older" cameras, like X-Trans III and the X-T30 and X-T3, are missing out, The often-overlooked X-M1 had an X-Trans I sensor paired with the X-Trans II processor. X-T30 II records This film simulation recipe is compatible with all Fujifilm X-Trans II cameras. Hi — PRO Neg. I created my first CineStill 800T recipe, which is intended for X-Trans III cameras, over three years ago. You can use it on X-Trans I and Bayer sensor cameras, too, but the results will be a little different (feel free to try, though). This “Eterna” film simulation recipe is my best facsimile of my X-T30 Eterna recipe. 0 Box Lens on display. including For “newer” X-Trans IV cameras, like the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II, you’ll have to decide what Grain Size to select—either Small or Large—but otherwise this recipe is compatible with your camera. From what I saw, Kodak Vision3 250D seemed to have a more “vintage film look” than the other films stock that I was For “newer” X-Trans IV cameras, like the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II, you’ll have to decide what Grain Size to select—either Small or Large—but otherwise this recipe is compatible with your camera. It rose one spot compared to last month. including ETERNA/CINEMA, the motion picture film stock used in many cinematic masterpieces. Feel free to try X-Trans II and The Fujifilm X-Pro3 has a new film simulation: Classic Negative. Those with X-Trans III and IV cameras, such as the Fujifilm X-T30 that I created it on, have been enjoying it since August, but those with X-Trans II cameras—X-T1, X-T10, X-E2, X-E2s, X100T, and X70—have been left out of the fun. ) in my Minolta X-700, I discovered the work of other film photographers using Kodak Vision3 250D. Fujifilm’s most recent film simulation, Eterna, has a lot of potential for creating lovely color negative film aesthetics. For those who don't know, this is a quarter-million-dollar broadcast lens, When I was at Fujifilm’s Create With Us event in Austin back in September, they had a Fujinon Duvo HZK 25-1000mm f/2. Not all of the X-Trans IV recipes call for Daftar Harga Kabel Eterna 2 X 0 75 Terbaru; Desember 2024; Harga kabel serabut eterna nymho 2 x 0 75 50 m. Std Recipe and one Acros, while five use Classic Negative and 2. To use it on newer X-Trans IV cameras (X-Pro3 and newer) plus X-Trans V, set Color Chrome FX Blue to Off, Clarity to 0 (or -2 in lieu of the 5% CineBloom filter), and decide on either Grain size Small or Large. Astia Dynamic X-Trans III Recipes are not intended to be compatible with X-Trans II. Very low contrast as well, half way to Eterna levels. I initially created this on my Fujifilm X-E4 , but then I wanted a version for my X-H1, so I made a recipe compatible with that camera, and also used Top 10 Most Popular Eterna Film Simulation Recipes of 2024. (Nostalgic Film) X-S20 & GFX100S II; Top 10 Most Popular X-Trans III Film Simulation Recipes of 2024; Recent Comments. X-Trans IV can be divided into two categories: X-T3 & X-T30, and X100V, X-Pro3, X-T4, X-S10, X-E4 & X-T30 II. Eterna would be the best One of the earliest film simulation recipes I created that was intended to mimic a specific film was Fujicolor Superia 800, which I made on a Fujifilm X100F about two-and-a-half years ago. I miss those X-Trans 2 colors. 5. 2 + Nostalgic Neg. Harga Kabel Listrik Eterna Kenjiro Nymhy 2x0 75 2 X 0 75 1 Roll 50m Putih. X-Trans IV; X-Trans III; X Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options that the X-T30 has. My XF10 Classic Chrome film simulation recipe was programmed into the X-T1; to my surprise, Jon made a few small adjustments to it. 5″ (long) x 2. Color Chrome Effect and B&W Toning are the two other features that are added to X-Trans IV. Some photographers, including myself, were loaned preproduction Fujifilm X-T50‘s to try out, and some were loaned preproduction GFX100S II’s. This new video features footage and photographs captured using my Eterna The photographs in the video were captured using a Fujifilm X-T30 and X-T1. If you have the X-Trans IV sensor and the Eterna film simulation, you will be able to use this Cira Film recipe. There are a number of X-Trans IV film simulation recipes that I’ve had multiple requests to create versions for that are compatible with X-Trans III and X-T3 and X-T30 cameras. With its discontinuation in 2016, Fujifilm abandoned the series altogether. For the X-T3 and X-T30, use this version. Eterna Dynamic Range: DR200 Because this “Pushed CineStill 800T” recipe uses the Eterna Bleach Bypass film simulation, it is only compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. Eterna Dynamic Range: DR400 Highlight: +4 Shadow: -2 Color: -2 Noise Reduction: -4 Flowing Stream - Layton, UT - Fujifilm X-T30 - "Eterna Bleach Bypass" Lately I've been really enjoying the new Eterna Bleach Bypass film simulation found on the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. If you don’t care about any of these genres, the X-E3 is still an excellent choice as far as image quality This modification aims to enhance the overall visual experience, offering a unique tonal balance that complements the characteristics of the X-Trans IV sensor. Eterna Dynamic Range: DR100 Highlight: +4 Shadow: +4 Color: -3 Noise Reduction: -4 Sharpness: -4 Grain Effect: Strong Color Chrome Effect: Strong White Balance: Shade, +4 Red & +6 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to -1 (typically) This “Vintage Color” recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4 and X-T30 II cameras. Amanda recorded the video using a Fujifilm X-T20 with a 16-50mm lens and a GoPro Hero 8 Black. This custom setting is suitable for the newer X-Trans IV sensor cameras, the Fujifilm X-T4, XS-10, X-E4 & X-T30 II. I used four different lenses: a Fujinon 100-400mm, Fujinon 90mm f/2, Fujinon 35mm f/2 and Rokinon 12mm f/2. The Fujifilm X30 had a tiny 2/3″ 12mp X-Trans II sensor, but was still a good compact zoom, and is fun to use even in 2024. The X-H1, X-T2, X-T20, X-E3 and X100F would later share this same sensor and processor. This one is compatible with X-Trans V cameras; for “newer” X-Trans IV (Fujifilm X-T4, X-S10, X-E4 & X-T30 II) use this version, and for the X-Pro3 and X100V use this one that has Eterna as the base. My next version, which is intended for newer X-Trans IV cameras, was published nearly a year ago. Feel free to try this recipe on X-Trans I or Bayer sensor cameras, too—it will work but the results might be slightly different. Like Part 2, I set out to recommend seven recipes, one for each C1-C7 Custom Preset, that don’t share the same white balance type, because X-Trans III cameras—X-Pro2, X100F, A couple of days ago I published my Fujifilm X-T30 Eterna film simulation recipe, which I have received a lot of positive feedback for. While the WCL-X100 II is a little less inconvenient to have attached, I personally liked the TCL-X100 II a little more. Exclusive to Fujifilm cameras is their proprietary X-Trans sensor. It renders more realistic colors which is good for some things but not for others. LomoChrome Metropolis recipe, using the Eterna Bleach Bypass film simulation My wife has a Fujifilm X-T4, and I was able to borrow it briefly for an experiment with the new Eterna Bleach Bypass film simulation. The camera attached to the lens was a Sony. X-T4 90mm f2 Good Boy Eterna upvotes Also, check out Part 2 if you missed that. I really hope Fujifilm proves me wrong and makes it available for the X100F in the near future. The Vintage Eterna Film Simulation Recipe is actually three Recipes: one for the X-H1, X-T3, and X-T30, another for the other X-Trans IV models (X-Pro3 and newer), and one for X-Trans V cameras. Second, adjustments in X-Trans II cameras max out at +2 and -2, while adjustments in X-Trans III & IV cameras The in-camera JPEG options on the X-T1, which has an X-Trans II sensor, are different and much more limited than X-Trans IV or even X-Trans III cameras. The Pushed CineStill 800T Recipe was intended for daytime photography, but is actually most well suited for nighttime situations. I don’t care for the other simulations that came Section 2: X-TRANS I & II. Still, this is an unusual arrangement in the Fujifilm lineup. The Cira 800 film recipe is one of the low-light film simulation recipes and is suitable for shooting cinematic still images during the day or night. Astia X-Trans CMOS 4 sensor. . Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options These film simulation recipes are intended for Fujifilm X-Trans II cameras, such as the X100S, X100T, X-E2, X-E2S, X-T1, X-T10, X70, X20, X30, XQ1, and XQ2. It’s also one of the most popular recipes on Fuji X Weekly. com Reply to Kirstybell Yes, i have take a few shots with Eterna. For fifth-generation models, which are the X-H2s, X-H2, X-T5, and X-S20 (yes, the The Fujifilm X30 is a compact fixed-lens zoom camera with a tiny 12MP X-Trans II sensor. To use it on newer X-Trans IV cameras (plus X-Trans V), set Color Chrome FX Blue to Off, Clarity to 0, and Grain size to Small. The simple answer is, never, and apparently it is not that simple a filter, especially as it is intended to be applied to video, but does work quite nicely for stills images. The majority of people use Recipes on X-Trans IV and V cameras, but X-Trans III isn’t too far behind. Eterna. Welcome to the new X-Trans IV Film Simulation section. This version of Ektachrome 100SW is compatible with X-Trans I & II cameras, as well as Fujifilm Bayer cameras. This one is compatible with X-Trans V cameras; for “newer” X-Trans IV (Fujifilm X-T4, X This Kodak Vision3 250D Film Simulation Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. Street Lamp Sunset - Farmington, UT - Fujifilm X-T30 - "Kodak Ultramax" I've received a lot of positive feedback from my Fujifilm X100V Kodak Ultramax 400 film simulation recipe, which I published two weeks ago. Rp399. Credits. Harga kabel eterna 2 x 0 75 NYMHY 50 METER. It is compatible with the Fujifilm X-T30 and X-T3 cameras. Ilford FP4 Plus 125. film simulation, then, after using it, I discovered Nostalgic Neg. I have also received several requests to invent a film simulation recipe that produces Fujifilm X-Trans is 10-years-old, and I thought it would be fun to list the 10 most important X-Trans models of all-time. Sometimes I had a Fujinon 35mm f/2 lens attached to the front of the camera, and sometimes I had a Fujinon 90mm f/2. See also: How To Add Film Simulation Recipes To Your I love soft tones in photography and Eterna is a great simulation for exploring this style. Posts about Dynamic Range written by Ritchie Roesch. Std - Dynamic Range: DR100 - Highlight: +2 (High) - Shadow: +1 (Medium-High) - Color: +2 (High) - Sharpness: +1 (Medium-High) - Noise Reduction: -2 (Low) - White Balance: Auto, +6 Red & -7 Blue - ISO: Auto, up to ISO 3200 - This Eterna Summer Film Simulation Recipe is great for sunny daylight photography, delivering warm summertime vibes. The X-T4 and the X-S10 are currently the only cameras that have this film simulation. Film Simulation: Classic Chrome. The TCL-X100 II is a little larger and heavier: 1. I tried to reproduce a neutral look which represents reality as seen. I've had a ton of requests to make a version of this recipe that's compatible with X-Trans III sensor cameras, This Appalachian Negative Film Simulation Recipe is compatible with all fifth-generation X-Trans cameras, which (as of this writing) are the Fujifilm X-H2s, X-H2, X-T5, X-S20, X100VI, and X-T50. #8: Lately I’ve been really enjoying the new Eterna Bleach Bypass film simulation found on the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. It is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras, plus fifth-generation models, which are the X-H2s, X-H2, X-T5, X-S20 (yes, the X-S20), and the The X-Pro2 was released way back in March of 2016. 1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. My new LomoChrome Metropolis recipe, 4 likes, 0 comments - titomicmic2 on October 15, 2024: "doing SOoC again coz i got bored. Part 1 — X-Trans V, Part 3 — X-T3 & X-T30, Part 4 — X-Trans III, Part 5 — X-Trans II, Part 6 — X-Trans I. Even though it has the lowest contrast and lowest color s I haven't forgotten about my Fujifilm X-T1! My last five film simulation recipes have been for my new X100V, but I will continue making recipes for other sensors. X-trans IV recipe (X-Pro 3, x100V, X-T4) Back when the X-Pro3 was announced I was very skeptical on some of the hardware design changes, but one thing that immediately got me excited was the jpg-oriented software updates This Eterna Summer Film Simulation Recipe is great for sunny daylight photography, delivering warm summertime vibes. For those who don’t have it, I’ve made an alternative recipe that produces similar results using PRO Neg. It’s compatible with “newer” X-Trans IV models—Fujifilm X-T4, X-S10, X-E4 & X-T30 II—as well as fifth-generation cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20 & X100VI. 8-5. Not all of these recipes are compatible with every X-Trans II camera, because Top 10 Most Popular Eterna Film Simulation Recipes of 2024. I found that Shadow set to 0 isn’t quite strong enough, but +1 is too strong, so pick whichever you like This is an Eterna-based Recipe for X-Trans V cameras; however, it’s simply an adaptation of the X-Trans IV version that has been around awhile. It's basically an X-T2, but designed with video in mind. Unless video capabilities This is, by far, my favorite Eterna-based Recipe. For those with fifth-generation models—X UÛ£Sf@ÁÆ @õ=$¢¸ Ÿ” šÔ ª– ñöª ñËo üõÏ R`Ç Àÿÿ £Él±Úì §ËÍÝÃÓËÛÇ×Ïß ¾mÿßòó óf }vc „[ïÈ¦ˆà‚¸p¹ã¤íi ¦I_’Ò" ÿÓWë‹©$ºC? Ò Q € !‘ This recipe is fully compatible with X-Trans III cameras plus the X-T3 and X-T30. Harga kabel serabut eterna nymho 2 x 0 75. While Fujifilm invented and intended the Eterna film simulation for video use, which it is quite good for, they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX cameras and the X-H1 This is my favorite CineStill 800T film simulation recipe. X-S20 & By screwing one of the two conversion lenses—WCL-X100 II and TCL-X100 II—onto the end of the fixed-lens (where the filter adapter attaches), you essentially turn the X100VI (and the older X100 series models, too) into an I reprocessed the RAW file in-camera, and tried to (in a short period of time) recreate Eterna Bleach Bypass using regular ol’ Eterna. This is the X-Trans V version of this Recipe (the X-Trans IV version is a little further down). I don’t have many recipes for these cameras yet, but I do plan to grow this list. #1: This is an adaptation of the X-Trans IV version (which you’ll find a little further down) for use on X-Trans Recipes: Recipes sorted on date (newer - oldest) of entry in the database: * "Creator": my best guess, * "Type": tentative classification of the recipes. Kodak Portra 400 v2 For X-Trans V models, including the Fujifilm X-T5, Fujifilm X-H2, and Fujifilm X-H2S. My Fujifilm X100V "Cine Teal" film simulation recipe has been a lot more popular than I expected it to be. Std. This film simulation is supposed to mimic the look of Superia film. Most of the film simulation recipes are intended to be used on older Fujifilm camera models X-Trans III and X-Trans IV, as well as new sensors X-T5 , X-H2 , and X-H2S , the X100VI , and the latest Fujifilm X-T50 . This film simulation mimics the look of actual Eterna film, which was a motion picture film that also had a very limited run for still photography. My Eterna recipe (and there are versions for X-Trans II, X-Trans III and X-Trans IV cameras) is almost identical to one For “newer” X-Trans IV cameras, like the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II, you’ll have to decide what Grain Size to select—either Small or Large—but otherwise this recipe is compatible with your camera. Be the first to comment Whether you love Fujifilm's X-Trans mirrorless cameras, GFX medium format cameras, their other digital cameras and DSLRs, or Instax instant film cameras - this is the place for you! Members Online. This X-Trans IV Recipes, especially for the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, tend to be the most popular. This recipe is compatible with all X-Trans IV cameras. — Eterna — Eterna Bleach Bypass — Acros There are 20 different film simulations on the new Fujifilm X100VI. It’s compatible with all X-Trans IV cameras and the Fujifilm X-H1. When I published the Superia 800 recipe, I stated, “It’s not a 100% match [to the film], but I feel like it’s Unfortunately, all of the other X-Trans IV cameras (as of this writing) don’t have the required JPEG options, so it’s not compatible with other cameras. The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. Film Simulation Eterna, Grain Effect Off, Color Chrome Effect: Strong, WB AUTO, WB Shift R4 B-2, Highlight Tone -2, Shadow Classic Chrome and Eterna on X-Trans V renders blue just barely lighter than on X-Trans IV with Color Chrome FX Blue set to Weak. Fujifilm X-T50 Film Dial Recipes. Then I took X-Trans CMOS 4 sensor. These film simulations are for use on Fujifilm cameras such as the X-T3, X-T4 and X100V, although you may get similar results using older Fujifilm camera models. The X-T3 & X-T30 cameras don't have all of the JPEG options that later X-Trans IV models have. One thing to note about X-Trans II cameras is that not all of them have the Classic Chrome film simulation, including the X100S, X20, and XQ1. I already wrote an X-Trans III: simulation: ETERNA: dynamic range: DRPAuto: highlight: 0: shadow: 0: color +3: noise reduction-2: sharpness-2: Feel free to change any setting, especially sharpness and nr. uiied jchz edqdqs uap hvfgts furtiup opnn qsox vnqha mnoosjbb